Installation View. SKULF, 2019. Future Suburban Contemporary. Copenhagen, DK. Photos by Samara Sallam.
Someone Else's Tribe. Bark, plaster, Warhammer paint.
She Needs a Fairytale Not an Antidote. Wood, burn marker, acrylic paint, feather boa.
GORPLING. Peanuts, raisins, paper mache, sleeping pad, patch, kitchen knife, amber, glue.
Detail. Labour of the Nighty Knight.
Labour of the Nighty Knight. Iron board, cardboard, tin, patch, acrylic.
Trusted Generation. Cardboard, google image search, lacquer, jacket.
Rest in Fact Bitch. Paper mache, latex, outdoor knife, soil from the garden of FSC.
SKULF
Future Suburban Contemporary
23rd Mar – 12th Apr 2019
The title of the exhibiton, SKULF, is a made up word, that sounds like a mix between skull and MILF (Mom I’d Like to Fuck) In the exhibition Walther investigates the objectification of humans parallel to the colonization of nature. It’s a post-apocalyptic story about Mother Earth, part skeleton and part "hot mom", being abused by humankind while they lull themselves into sleep. SKULF is our mom and mirror image - it is disgust, desire, apathy, grief and internalized violence.
…
The violence against her is a deep-rooted soreness in the hip joint. Its stress is being massaged away while images of hands that break chicken bones flicker in front of the eyes in the strobe lights.
She puts a hand on the forehead of the exhaling next generation, and parks herself in the white carport, while sterilizing the forks that are no longer in use.
They are shipped on a plane in expensive suitcases, and re-cast as if no one had learned anything and could only produce sharper objects.
– Excerpt from press release poem
Go to the top
Installation View. SKULF, 2019. Future Suburban Contemporary. Copenhagen, DK. Photos by Samara Sallam.
Someone Else's Tribe. Bark, plaster, Warhammer paint.
She Needs a Fairytale Not an Antidote. Wood, burn marker, acrylic paint, feather boa.
GORPLING. Peanuts, raisins, paper mache, sleeping pad, patch, kitchen knife, amber, glue.
Labour of the Nighty Knight. Iron board, cardboard, tin, patch, acrylic.
Detail. Labour of the Nighty Knight.
Trusted Generation. Cardboard, google image search, lacquer, jacket.
Rest in Fact Bitch. Paper mache, latex, outdoor knife, soil from the garden of FSC.
SKULF
Future Suburban Contemporary
23rd Mar – 12th Apr 2019
The title of the exhibiton, SKULF, is a made up word, that sounds like a mix between skull and MILF (Mom I’d Like to Fuck) In the exhibition Walther investigates the objectification of humans parallel to the colonization of nature. It’s a post-apocalyptic story about Mother Earth, part skeleton and part "hot mom", being abused by humankind while they lull themselves into sleep. SKULF is our mom and mirror image - it is disgust, desire, apathy, grief and internalized violence.
…
The violence against her is a deep-rooted soreness in the hip joint. Its stress is being massaged away while images of hands that break chicken bones flicker in front of the eyes in the strobe lights.
She puts a hand on the forehead of the exhaling next generation, and parks herself in the white carport, while sterilizing the forks that are no longer in use.
They are shipped on a plane in expensive suitcases, and re-cast as if no one had learned anything and could only produce sharper objects.
– Excerpt from press release poem
Go to the top